This morning one of my brothers went out to fetch the usual Saturday breakfast of croissants and a baguette, telling us after he returned that the pavement had been slippery with black ice. Our mother had also observed pedestrians from the window taking tiny careful steps as they navigated the streets. Yesterday evening I'd heard the whooshing of a Berliner Stadtreinigung snowplow on the larger street, but wasn't sure if the side streets and sidewalks had been sprinkled with salt or crushed gravel this time.
Last evening we had stove-related excitement again, as a while after I'd laid three more coals on the fire in one of our tile stoves, I smelled a 'hot iron' scent. I nervously checked the fire a few times but it seemed all right. Then some minutes later Ge. checked the stove and felt even more nervous, deciding to evacuate most of the coals. Based on the fierce heat that radiated from many of the tiles even for hours afterward, the whooshing draughts, the dry and frosty weather, and Ge.'s googling, we surmised that the draught must have been too strong and the fire too bright, so that old deposits of creosote may have started smouldering in the hidden upper niches of the stove. The piping hot tiles were a comfort insofar as we concluded that whatever deposits were there were hopefully still burning off so that they would stop being dangerous. Overnight we let the stove cool entirely, then in the morning restarted it.
I've been devoting most of my time to 'self-care': an hour of ballet and yoga yesterday, and a lot of reading. Short stories by contemporary Italian writers translated into German, an old romance novel by Mary Burchell translated into Portuguese, news from the New York Times and on the websites of Rundfunk Berlin Brandenburg and Tagesschau, and an even older romance novel from the early 1900s that was set amongst tourists in the Netherlands. The Dutch setting, and my Wikipedia searches for locations, were surprisingly relevant to my one university-homework-related enterprise: reading about 17th-century philosophy to figure out what an Enlightened man looks like. I finished the Spinoza chapter in A History of Western Philosophy, and have now hopped over to a biography from the 1960s published by the German house Rowohlt. Spinoza grew up as the son of Jewish parents who had escaped the Inquisition from Spain via Portugal to the Netherlands, and while much of the Jewish quarter of Amsterdam was razed during the Nazi occupation, two 17th-century synagogues, a church, and at least one stately house remain.
In turn, the history of 17th-century Amsterdam ties into late 16th-century trade, which is relevant to the Tudor era Beauty-and-the-Beast story that I'm trying to write again. The challenge I'm facing right now is the 'world building,' which is necessary if I want to write an interesting take rather than a thoroughly effete fan fiction. So, taking techniques from my university courses, I've been reading a long and rambling Elizabethan work by Sir Philip Sidney and taking notes on many of the 'topoi' (e.g. sheep: shepherds, lambs, piping, ...) I come across in it, to research Elizabethan Britain. It's startling how much in the English language has not changed over time, for example the colloquialism 'busy as a bee'; and Sidney uses a rich emotional vocabulary, ranging from depression to envy, which feels startlingly New Age.
I've been thinking of making the Beast a Spanish person who is hiding in England during the Armada. First of all, the challenge of being able to see an 'enemy' as a fellow human being is, I think, a very contemporary topic. As the granddaughter of Germany's fascist generation it's always boggled my mind how after World War II there seemed to be a wild range of reactions e.g. amongst American or British veterans toward Germans, ranging from the famous 'Little Vittles' operation (distributing chocolate and raisins to Berlin's children) to the opposite, and I think some of the same challenges are arising for example between Ukrainians and Russians. Secondly I seem to remember that the original French tale emphasized that the Beast didn't even have esprit (wittiness) to recommend himself. I think that the original tale was pressuring women to go along with arranged marriages, even if they are not attracted to their future husbands; so not all aspects of the source material are ones that I'm willing to pursue. But what I'm willing to pick up is the fear of seeming stupid — and few of us can help feeling stupid when trying to express ourselves in a second language, for example, so creating language differences between the protagonists will bring out that dimension. Thirdly, being an enemy of the state would explain why the Beast would need to live in secrecy. Lastly, the Spanish angle will let me weave in literature and history that I'm studying... That said, a lot of difficulties remain. A central problem with that era and its trade is, of course, the birth of colonialism; and it would be silly to write a story about e.g. a nice cozy winter spent at the fireside, if the more salient and less threadbare backstory is that one logged and stole the neighbour's forest for fuel.
Whenever I feel weltschmerzy and guilty, I've been reducing my carbon footprint by deleting old Twitter news digest emails from five years ago. It's disconcerting how much the world has changed since then, and how optimistic it was from my lefty point of view. For example, debates about weaponry that emerged in the German national news often referred to the ethics of exporting German-manufactured arms to countries that don't respect human rights. Xenophobic sentiment was attributed to and espoused by an extreme fringe, instead of a mainstream. And a gay rights activist who supports trans rights claimed, after she spoke out about a political debate, that 'J.K. Rowling never disappoints' ...
In the meantime, we still have a lot of uneaten Christmas gingerbread and chocolate and marzipan in our pantry. The revelry goes on!
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